By Ibrahim S. Bangura
Freetown, Sierra Leone — Indigenous music has long been a cornerstone of unity, identity, and cultural preservation in Sierra Leone. However, with the rise of contemporary music, traditional musical forms are at risk of being overshadowed, raising concerns about the potential loss of cultural heritage. In an exclusive interview with Premier Newspaper, Israel Ishmael Kamara, the Assistant Director for Cultural Creativity and Innovation at the Ministry of Tourism and Cultural Affairs, discussed the crucial role of indigenous music in fostering social cohesion and national development.
Kamara highlighted the historical significance of indigenous music, tracing its roots back to the era of slavery. Enslaved people found solace and strength in traditional folk songs, which fostered unity and resilience amidst their suffering. “Music is one of the most powerful conveyors of culture, alongside dress codes and language,” Kamara observed. “Indigenous music not only promotes unity and cohesion but also offers personal peace. Traditional lyrics often contain satirical elements that provide valuable advice for society and political leaders.”
Sierra Leone’s diverse ethnic groups, including the Krio, Mende, Limba, and Temne, have each preserved distinct musical traditions that celebrate cultural identity and address social issues. These musical forms help foster harmony within communities. However, Kamara stressed the need for heightened public awareness about the importance of safeguarding these traditions in the face of modern influences.
Beyond cultural expression, indigenous music has played a pivotal role in national healing and reconciliation, particularly following Sierra Leone’s civil war. Traditional songs were central to advocating for peace and unity, with iconic musicians such as Dr. Oloh and Amie Kallon using their craft to call for national rebuilding. “These songs are powerful reminders of our shared history and values, helping to bridge divides between communities,” Kamara explained. “They also highlight issues like political corruption and societal challenges, offering constructive criticism and advice through their lyrics.”
The combination of powerful lyrics and traditional instruments such as the gumbe drum and maringa rhythms has made indigenous music influential tool for promoting peace and reconciliation in post-conflict Sierra Leone.
When asked about strategies to promote indigenous music as a unifying force, Kamara underscored the important role of government, civil society, and educational institutions. “The Ministry of Tourism and Cultural Affairs has been working diligently to preserve traditional practices while encouraging cultural innovation,” he revealed. “By creating opportunities for youth engagement in the creative arts sector, we can ensure that traditional composers and performers receive the recognition they deserve.”
Kamara also emphasized the importance of collaboration between civil society organizations, cultural practitioners, and educational institutions. He called for the integration of cultural studies into school curricula to educate younger generations about the value of indigenous music. Additionally, he urged private sector entities to invest in the promotion of traditional music through funding and platforms such as cultural festivals and radio programs.
Indigenous music is not just entertainment—it is a living representation of Sierra Leone’s cultural heritage and values. By fostering unity, addressing social issues, and playing a role in national reconciliation, traditional music remains an essential component of nation-building.
As Sierra Leone continues to evolve, efforts to preserve and promote indigenous music must be prioritized to ensure that future generations inherit a rich and meaningful cultural legacy. Through collective efforts from the government, civil society, and private sector stakeholders, indigenous music can continue to serve as a bridge between the past and the future, uniting the nation through its timeless rhythms and powerful messages.